| From 1990 to 2004 Palazzo Fabroni, building of | | | | on it, given back to the earth and buried in the |
| the 18th century in the heart of Pistoia (Tuscany | | | | cloister of the Musée des Beaux-Arts de |
| - Italy), had an important role in the planning of | | | | Lyon, is a tragic and desperate gesture; Il faro |
| exhibitions of both Italian and international artists, | | | | d'Islanda (2000), the tall, solitary, radiant steel |
| like Roberto Barni, Enrico Castellani, Giuseppe | | | | tower, a metaphoric self-portrait of the artist, |
| Chiari, Luciano Fabro, Jannis Kounellis, Michelangelo | | | | erected in the desolate and deserted land of |
| Pistoletto, Giuseppe Uncini. | | | | Iceland, a light of hope in its immense geographical |
| After few years of works of renovation, from | | | | remoteness. |
| 2004 to 2007, Palazzo Fabroni has now reopened | | | | In many occasions Parmiggiani has also created |
| and houses the exhibition of Claudio Parmiggiani, | | | | works for public areas, museums, galleries, |
| supervised by the art historian Jean Clair; the | | | | religious buildings. In the twelve rooms of palazzo |
| exhibition goes over the artist's International | | | | Fabroni Parmiggiani he shows twelve new works, |
| experiences and represents one of his highest | | | | specially made and created through an |
| achievements. | | | | extraordinary free use of materials which |
| Many and meaningful have been the intuitions | | | | contribute strongly, in a real inner journey, to |
| which, from the mid 60s, have been connoting in | | | | perceive them as a unique great work, as a |
| an early, very original and innovative way his | | | | unique mental object. The itinerary consists of a |
| research; as well as obstinate has been his | | | | succession of spaces and the artist gathers the |
| determination to pursue independence within the | | | | diversity of each one and creates new and vital |
| Italian artistic context, in a lonely path, intentionally | | | | connections with his work. |
| out of any group or classification; however this | | | | The works exhibited are visible only in conditions |
| has not meant estrangement and has not | | | | of natural light, since artificial lighting has been |
| prevented him from crucial encounters with other | | | | purposely abolished in order to highlight in the |
| protagonists of contemporary art. With them he | | | | space that particular feeling and that particular |
| shared that path which, from the zeroing of the | | | | emotion only the slow passing of light and shade |
| representative painting, has led through different | | | | on things can create when observed. |
| ways to a new art grammar. His language comes | | | | Until 23.03.2008 |
| out from associations of images, able to provoke | | | | Palazzo Fabroni |
| real mind short-circuits. | | | | Arti Visive Contemporanee |
| During the years, side by side with extraordinarily | | | | Via Sant'Andrea 18, 51100 Pistoia (Tuscany - Italy) |
| powerful and evocative works which have been | | | | Tel. 0573 371817 - Fax 0573 371838 |
| object of lectures and critical essays by well | | | | Official Website: |
| known personalities from different fields, | | | | Opening times: |
| philosophy, art history, literary, he alternated with | | | | Tuesday-Saturday 10.00-16.00 |
| works of absolute radical vision and environmental | | | | Sunday and holidays 12.00-16.00 |
| dimensions. | | | | Closed on Monday |
| The Delocazioni (from 1970), works made by | | | | Tickets: |
| using fire and smoke, are his most powerful | | | | € 6.00 full price |
| images of absence; Terra (1988-89), a huge | | | | € 3. |
| terracotta sphere with the artist's hands imprinted | | | | |